Canon EF-S 18-200mm f/3.5-5.6 IS Review

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Canon EF-S 18-200mm f/3.5-5.6 IS


With the 11x zoom extent, the 18-200mm turns into Canon’s most eager customer level zoom to date; the organization has beforehand stood far from creating moderately modest super-zooms, with its lone past invasion into this segment being the 28-200mm F3.5-5.6 for 35mm SLRs.

The manufactured nature of the Canon lens is about normal and run-of-the-mill for low-end Canon items. The plastic quality is generally respectable. There’s no wobbling of the internal tubes even at the 200mm setting here. The zoom ring works entirely smooth while the center ring feels shabby. The proposed target gathering of people will, as a rule, want to utilize AF so that is most likely pardonable. It is to some degree irritating, however, that the center rings pivot amid AF operations. Luckily Canon figured out how to keep a static front component so it’s no issue to utilize polarizers.

One configuration choice may, however, bring about a level of disappointment; the lens utilizes a generally unsophisticated smaller micromotor system for self-adjust, rather than the ring sort USM plan all the more usually seen on mid-range lenses, for example, on the EF-S 17-85mm F4-5.6 IS USM.

Product Photos:

Canon EF-S 18-200mm f/3.5-5.6 IS Specifications

General SpecificationCanon EF-S 18-200mm f/3.5-5.6 IS
Focal Length18 - 200mm
Camera Mount TypeCanon EF-S
Format ComitabilityCanon (APS-C)
Angle of View74° 20' - 7° 50'
Minimum Focus Distance17.7”
Actual Weight21 oz - 0.59 Kg
Aperture Range-Wide/ Long f/3.5-22 / f/5.6-32
Focus Ring Rotation52°
Lens Hood Included? N / EW-78D
Image StabilizationYES
Case Included?No case is incorporated into this kit.
Year Introduced?2008

Technical Specifications


Shooting totally open at 18mm, sharpness in the focal point of the picture region reaches great levels, and clarity towards the edges of the casing is great. Ceasing down the opening enhances sharpness over the edge, topping between F5.6 and F8, where sharpness in the middle is better, and towards the edges, it achieves great levels.

At 200mm, great sharpness in the middle is still kept up at the greatest aperture, and genuinely great sharpness levels toward the edges. Top quality over the edge is accomplished at F8 for this central length and good sharpness over the casing is accomplished.

Chromatic Aberration:

At shorter central lengths Chromatic aberrations are kept underneath levels that may posture issues, even in substantial prints, or crops of the casing. At 200mm, the chromatic bordering increments and surpasses two-pixel widths at the edges of the casing. This may begin to wind up obvious in pictures with high differentiation edges close to the edges.

Shading or ”Vignetting”:

Corner shading is very much controlled in the 18-200mm lens. Wide-edge lenses normally demonstrate some type of light fall-off, keeping in mind we see this with the 18-200mm, it’s not very extreme: the corners are just three-quarters of a stop darker than the inside, and just when utilized at 18mm and F3.5. At some other central length while utilizing the lens completely open corner shading is just half of a stop. As the lens is ceased down, corner shading tumbles to a mere quarter of a stop by F8; when utilizing the lens at a central length of 80mm or more prominent, there is for all intents and purposes no corner shading when the lens is halted down to F11 or little.


Distortion is regularly an issue with high-proportion zoom lenses like this. There is 6.13% barrel distortion at 18mm, and that is a significant professed level and may pose problems in pictures with straight lines towards the edges. At 200mm, we see that 1.18% pincushion distortion is available, which is unquestionably less perceptible than the barrel distortion at 18mm. Fortunately, the distortion example is uniform over the casing, so redressing bent lines ought to be straightforward in picture editing programming thereafter.

Buy this lens if:

Like other super-zoom lenses, this reach brings colossal compositional adaptability. You could shoot a sweeping scene or extensive gathering shot of individuals at one minute, then detect a photograph opportunity out there and catch it with a straightforward touch of the zoom ring. In a natural landscape, that could be a bird on a branch, or in a social occasion of individuals, it could be the close-up of somebody. Simply, while others are caught up with changing lenses to accomplish the coveted impact and perhaps missing the shot, a superzoom gives you a chance to get unconstrained easily.

A solitary all-around lens additionally brings awesome accommodation. You don’t need to drag around different lenses, waste time evolving them, or risk dust entering the body when you do so. They’re perfect whether you’re going on vacation, shooting a wedding, or going to a sporting event where the move takes place both close and far.

Don’t Buy this lens if:

Clients who look for optical flawlessness shouldn’t run to this lens, however, when utilized around maybe a couple of stops, it’ll give genuinely noteworthy results.

All alone, it’s a better than average lens, however, clients considering supplanting a pack 18-55mm IS lens with this model ought to consider the 55-250mm IS whether they’re not unfriendly to exchanging lenses, and have space for it in their sack. Between the two-lens blend, there’s as much and more range secured, and the optical execution between the two lenses surpasses that of the 18-200mm IS.


Be that as it may, while the Canon 18-200mm IS lens has what’s coming to its issues, the straightforward certainty is they’re exceeded by the sheer accommodation and adaptability of a settled 11.1x territory for a large portion of its intended interest group – and there’s no precluding the draw from claiming, at last, having this on a Canon-marked model.

It’s a long way from immaculate, yet the 18-200mm IS lens gets to be a standout amongst the most convincing universally useful lenses for proprietors of good Canon bodies, both old and new. Optical issues and the nonappearance of USM focusing implies the EF-S 18-200mm IS passes up a major opportunity for our top grant, yet the comfort element makes it a simple suggestion.

One More Thing.

Despite the fact that this lens isn’t the least expensive of the group, the great form quality, and optical execution will surely settle on this a convincing decision when contrasted with the opposition. Furthermore, in the meantime, the 18-200 IS as a pack or broadly useful lens bodes well. The comfort estimation of $700 of this lens is high.

Walkthrough the below video to see the sample photos of the lens.

You Can Get The Lens From My Recommended Retailer: Amazon

>>Check Here All Canon Lens Reviews<<

Thanks for reading hope you enjoyed the review & found it useful if you have any questions just leave a comment below & I will be happy to answer you.

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  • Thank you so much for the informative, in-depth review on the EF-S 18-200mm F3.5-5.6 IS lens.

    Those product specs are exactly what I was looking for.

    It certainly looks like a compelling buy and something that I’d be quite interested in buying.

    I love your site, keep up the great work!

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