Introduction
For one thing, this lens is lightweight, not as light as the 50mm lenses, but rather it will not be tiring your hand out following an entire day of shooting. The weight is only 425g (15.0 oz).
The body packaging is made of an excellent dark plastic and complemented with a touch of gold paint for a great finishing. Proprietors have the alternative to purchase the Canon ET 65 III lens hood, which takes into consideration less flaring, expanded picture contrast, and also a level of insurance for the front component.
The lens has a back focusing system and Ultra Sonic Motor, which is silent and internal focusing. It highlights full-time manual centering which takes into account focus modification without the requirement to change the center switch to manual. Moreover, this component is incredible since it forestalls harm to the centering engine. The focus ring is a ridged rubber and feels smooth with next to none play. Generally speaking, the focusing is brisk whether it is in expansive sunshine or shooting in the darkness of night. Focus precision is amazingly high.
This is a “fixed focal length prime”, so you know you are going to get sharp pictures all through the aperture extent.
Product Photos:
Canon EF 85mm f/1.8 USM Specifications
General Specification | Canon EF 85mm f/1.8 USM |
---|---|
Focal Length | 50mm |
Camera Mount Type | Canon EF |
Format Comitability | 35mm Film / Full-Frame Digital Sensor Canon (APS-C) |
Angle of View | 28° |
Minimum Focus Distance | 2.79' (85 cm) |
Magnification | 0.13× |
Actual Weight | 14.99 oz (425 g) |
Aperture Range-Wide/ Long | f/1.8-22 |
Focus Ring Rotation | 81 |
Lens Hood Included? | N / ET-65III |
Image Stabilization | No image stabilization features for this lens |
Case Included? | N / LP1014 |
Year Introduced? | 1992 |
Technical Specifications
Sharpness:
It may not be the sharpest lens in your camera sack: that title could go to the 35mm/1.4 L. In any case, it is the second most honed and this lens has undoubtedly been named the sharpest value for your money choice in the Canon lineup of glass lenses. Totally open, the lens is soft however still genuinely sharp to anything at F1.8. When you stop down to F2.8 you are good to go. At F5.6 and more, you will be infatuated with this lens when utilized with a Canon Speedlite.
It is not all immaculate, however, the lens purples periphery now and again. Be that as it may, this is effectively redressed for in after creation.
Chromatic Aberration:
With regards to the longitudinal chromatic aberration, it might be extremely hard to maintain a strategic distance from it in such a quick lens.
You can see issues with the amendment of the briefest wavelengths and close to the most extreme relative aperture, it may bring about the presence of purple or blue fringes.
The delightful adjustment of the horizontal chromatic aberration merits our most noteworthy acclaim for a change.
In both cases, the values measured do not surpass a level of 0.03 % and it implies the parallel aberration is for all intents and purposes subtle.
Shading or ”Vignetting”:
Completely open, vignetting will be obvious even on a 1.6x body. Full edge body clients will see some vignetting staying at F2.
Open the 85 1.8’s aperture wide and see the background obscure away. The bokeh, meaning the background blur quality, helped by an aperture with eight blades, is extremely decent. Obviously, taking a moderately close representation photograph at F1.8 makes keeping both eyes in center troublesome.
Nevertheless, saturation and contrast are great.
Distortion:
At the point when taking portraits it is essential to observe the distortion your lenses make. Shooting at lower central lengths than 50 mm will commonly bring about disproportional facial and body highlights on a subject. Here is another time when this lens sparkles, of course for a medium telephoto prime there is practically zero distortion.
Buy this lens if:
– Wedding picture takers who are working with primes and utilizing the 85 for representations or amid the service or reunion.
– Portrait picture takers working in a studio and that do not have strobes with modeling lights.
– Photojournalists that simply require the rate.
– Sports picture takers, however, in all trustworthiness you require a more extended lens even on an APS-C body.
– Concert picture takers who have subjects that move around like there is no tomorrow.
– Moms that like to take photographs of their children running around. It is the ideal lens for you to get the best images.
– Pet picture takers that need to stay away from the creature a bit.
– For those of you who need to shoot personally, close representations, however, would prefer not to draw near to your subjects (or are honestly hesitant to do so as such) you will be upbeat utilizing the 85mm on an edited sensor camera. Following most readers of this website use edited sensor DSLRs, you will be stricken with the outcomes that you can accomplish.
Don’t Buy this lens if:
– You can get by with one of the less expensive (and slower) choices.
– If you truly require a zoom lens.
– Optical performance is a must for your needs.
Conclusion:
The Canon 85mm 1.8 USM may be entirely great. In spite of its shading bordering in high difference scenes, the lens performs magnificently for any structure. The quick and exact autofocus has helped photographers to catch shots they thought they missed. Furthermore, for those of you that simply need to catch arbitrary road scenes from a remote place, you will likewise be dependent on this central length. The mix of long range with little size will make it perfect.
Despite the fact that its principal offering point is for representation photography, it works awesome for those hoping to get into still life or road photography where you need that additional compass of a telephoto, yet do not need a tremendous super zoom standing out making you appear as though you are out on a safari.
Best of all it is sold at a reasonable cost of around $360 and the bokeh you receive with it is justified regardless of each penny. This lens will really beat Canon’s more costly 85mm 1.2L II in numerous angles at one-fifth the expense! On the off chance that you are in the business sector for an awesome representation lens or simply need that substantial 1.8 f-stops, this may be the lens for you.
One More Thing.
Unless you truly need the additional stop and the marginally better optical execution of the Canon 85mm 1.2L, you may well be content with this 85mm 1.8 lens. Not to mention the additional $1400 in your pocket!
Walk through the below video to see the sample photos of the lens.
You Can Get The Lens From My Recommended Retailer: Amazon
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Thanks for reading hope you enjoyed the review & found it useful If you have any questions just leave a comment below & I will be happy to answer you.
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Looking for a good portrait lens and a good real estate lens, on a budget each lens under $600.00 for a Crop Rebel APS-C.
Actually, the Canon 85mm F/1.8 is a great portrait lens on a budget, it costs around $370 new, and about your question about a good lens for real estate photography Actually it’s hard to find a good wide angle lens under $600, however, it’s not impossible so here is my recommended lenses for real estate photography.
–Samyang 14mm
–Tokina 11-16 F2.8
Both are manual lenses but very sharp.
I recommend to you the below articles for more info about your question.
–Best lenses for real estate photography
–Real estate photography tips & tricks
–What is a good lens for portraits?
–best canon lenses for portraits
Thanks for passing by.
Awesome review. Very detailed. I wondered about purchasing this lens for my wife. She’s an avid photographer and is wanting a very good multipurpose lens. I think I will check out your review of the other lens first. Thanks for the expert review. great read and great website as well.
Thanks Robert, glad that you liked the review & the website.