In 2010, Sony introduced its mirrorless interchangeable lens cameras with one mount called the “E-mount”. This mount became the only mount for both full frame and APS-C cameras. Sony launched its first full-frame mirrorless camera, the Sony A7 in 2013.
Very rapidly, Sony lenses become one of the best camera lenses to buy. They have four lens series, the top series is the G Master lenses (they are big, expensive, and top quality) for professional photographers, and the other three series are G, standard, and ZEISS for photographers and videographers who need lenses that are lighter, smaller, not quite so expensive, and for certain shooting needs.
Sony has its unique lens abbreviations system, for the full list of lens abbreviations; you can check my post “Camera Lens Abbreviations”
Here are some of them:
- E: E mount lens for APS-C
- EF: Full frame E mount lens
- OSS: Optical Steady Shot (Image stabilization system)
- ZA: Zeiss Alpha, Zeiss branded lens designed for Sony cameras.
- T*: A special coating on a Carl Zeiss lens to prevent flaring, ghosting
No matter what you are looking for, I hope this tutorial will help you take advantage of the features and quality of your Sony camera.
Image Sensor sizes
Sony uses the common sensor sizes: the full frame and APS-C, among the many sensor sizes in common use, the full-frame is considered a large size while APS-C is a medium size. Both are popular as a result of their individual advantages.
Sony APS-C sensor has dimensions of 23.5mm x 15.6mm (width x height)
The full-frame sensor has dimensions of 36mm x 24mm (width x height)
Further reading: “Difference Between A Full Frame And A Crop Sensor”
Sony lens mounts
Sony produces cameras with two lens mount systems: A-mount and E-mount. A-mount is standard on Sony DSLR camera bodies, while E-mount is used on mirrorless bodies.
You may check my post “Difference Between DSLR And Mirrorless Cameras”
In this post, I will stick to the lenses for the mirrorless cameras, the “E” mount
The E-mount connects APS-C to full-frame, Alpha mirrorless cameras to pro camcorders, and entry-level to high-end gear. Use full-frame lenses on APS-C bodies, and even attach E-mount lenses to professional camcorders.
Lens and sensor combinations
Sony offers full-frame and APS-C lenses with image circles that cover the corresponding sensor formats. Although lenses are usually chosen to match the sensor format, different combinations can be used to vary the crop area and angle of view when broader coverage or extra telephoto reach is desired.
The figures below show the various combinations of camera and lens types.
Sony Lens Series
Sony has arranged its lenses into different series. Different series indicate specific feature sets or designs as well as the user types to which they are best suited. These series are:
- G Master: Gold (G) master (M) is Sony’s new highest-quality range of lenses. It is Sony’s top-of-the-line; G Master Lenses displays the highest resolution, smoothest bokeh, and most robust construction details to match their flagship camera bodies. Spanning a wide range of focal lengths and emphasizing speed, G Master lenses also make use of the most refined optical and focusing technologies available.
- G: Gold (G) is Sony’s old highest-quality range of lenses. It is Sony’s second tier in lens design, these lenses balance optical excellence with more compact and modest designs compared to G Master Lenses. It covers a versatile range of focal lengths and is comprised of both zooms and primes.
- ZEISS: Made in collaboration with ZEISS, these lenses blend Sony’s manufacturing with optical designs and construction details from the legendary German optics manufacturer. Utilizing specialized low dispersion glasses and their famous T* anti-reflective coating, these lenses offer a characteristic quality along with distinct physical designs and focal lengths.
- Standard: Outside of the specialized lens series designations, Sony produces a wide range of additional lenses to suit nearly any shooting need, from landscape to portraiture to wildlife, and are suitable for use on their expansive lineup of camera types, from the flagship pro bodies to the compact carry-everywhere cameras.
Prime vs zoom lens
Sony also offers both prime and zoom lenses. A prime lens has a fixed focal length, which means it cannot zoom from one length to another. While a zoom lens is simply a lens that offers a range of focal lengths all in one, rather than just one focal length. The pros and cons of both prime and zoom lenses are listed below.
Feature | Prime lens | Zoom lens |
---|---|---|
Size | smaller | bigger |
Weight | lighter | heavier |
Versatility | you have to walk nearer or away from drom your subjet | allow you to take a closer or farther composition of your subject |
flexibility | Youu need more np of lenses to cover certaln foacal range | you can carry fewer lenses in your camera bag to cover the same focal range |
Image Quality | higher image quality | they can have less image quality |
Bokeh | best for bokeh | they are not as good as prime lenses |
Low Light | can be used in low light suitation | difficult to shoot in low light |
Maximum Aperture | they offer wider apertures (faster) | they offer less wide aperture (slowe) |
DOF | shallower depth of field | deeper depth of field |
Best Sony Digital Camera Lenses
Below is our list of the Best Sony Digital Camera Lenses:
- Sony E 10-18mm f/4 OSS (ultra-wide-angle) E OSS
- Sony FE 14mm f/1.8 GM (ultra-wide-angle prime) FE GM
- Sony FE 24mm f/1.4 GM (premium wide-angle prime) FE GM
- Sony FE 12-24mm f/4 G (Best ultra-wide-angle) FE G
- Sony FE 16-35mm f/2.8 GM (Best wide-angle) FE GM
- Sony E 16-55mm f/2.8 G E G
- Sony FE 35mm f/1.8 (versatile prime) FE
- Sony Planar T* FE 50mm f/1.4 ZA (all-around FOV) FE ZA
- Sony E 18-135mm f/3.5-5.6 OSS (best for travel) E OSS
- Sony E PZ 18-105mm f/4 G OSS (Best budget) E G OSS
- Sony FE 85mm f/1.4 GM Lens (for portraits) FE GM
- Sony FE 90mm f/2.8 Macro G OSS (Best for macro) FE G OSS
- Sony FE 24-70mm f/2.8 G Master (Best overall) FE GM
- Sony FE 135mm f/1.8 GM (Best for portraits) FE GM
- Sony E 55-210mm f/4.5-6.3 OSS (travel zoom lens) E OSS
- Sony E 70-350mm f/4.5-6.3 G OSS (travel zoom lens) E G OSS
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Sony E 10-18mm f/4 OSS
E OSS
Take on ultra-wide landscapes or tight interiors with your APS-C-format E-mount camera using the E 10-18mm f/4 OSS Lens from Sony. Delivering a super wide 15-27mm equivalent zoom range, and offering a constant f/4 aperture, this lens can produce high-quality images in a variety of difficult scenarios. Implementing one Super ED and three aspherical elements guarantees image quality by minimizing aberrations throughout the range. In addition, the lens is equipped with Optical SteadyShot image stabilization for reducing the effects of camera shake
Pros
- Compact and lightweight
- Constant f/4 aperture
- Optical SteadyShot
Cons
- Mediocre corner-sharpness
- Not weather-sealed
- Pricey for its type
Specification
Focal Length | 10 to 18mm (35mm Equivalent Focal Length: 15 to 27mm) |
---|---|
Max Aperture | f/4 |
Min Aperture | f/22 |
Lens Mount | Sony E |
Lens Format | APS-C |
Angle of View | 109° to 76° |
Min Focus Distance | 9.84" / 25 cm |
Max Magnification | 0.1x |
Diaphragm Blades | 7, Rounded |
Focus Type | Autofocus |
Image Stabilization | Yes |
Filter Size | 62 mm (Front) |
Dimensions (ø x L) | 2.76 x 2.5" / 70.1 x 63.5 mm |
Weight | 7.94 oz / 225 g |
2- Sony FE 14mm f/1.8 GM
FE GM
Pairing an ultra-wide-angle focal length with an especially bright design, the FE 14mm f/1.8 GM from Sony is a fast and dynamic lens well-suited to landscape, nature, architectural, and astrophotography applications. Its extremely wide perspective is complemented by an f/1.8 maximum aperture for excellent performance in low-light conditions and its impressively compact form factor makes it a portable and versatile option for everything from casual walkaround shooting to staged architectural shoot
Pros
- Excellent optical performance
- Light, compact build for drones and gimbals
- Dust, splash, and smudge protection
- Bright aperture for low-light work
- Rear filter support
Cons
- Some focus breathing visible
- Not as versatile as a wide zoom
Specification
Focal Length | 14mm |
---|---|
MaxiAperture | f/1.8 |
Min Aperture | f/16 |
Lens Mount | Sony E |
Lens Format | Full-Frame |
Angle of View | 114° |
Min Focus Distance | 9.8" / 25 cm |
Max Magnification | 0.1x |
Diaphragm Blades | 9, Rounded |
Focus Type | Autofocus |
Image Stabilization | No |
Filter Size | Gel Filter (Rear) |
Dimensions (ø x L) | 3.3 x 3.9" / 83 x 99.8 mm |
Weight | 1 lb / 460 g |
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Sony FE 24mm f/1.4 GM
FE GM
Combining a favored wide-angle focal length with an especially bright design, the FE 24mm f/1.4 GM from Sony is a fast, versatile lens well-suited to landscape, astrophotography, and street shooting applications. The f/1.4 maximum aperture complements its wide perspective and the lens is distinguished by a sleek, portable profile for all-day shooting.
Pros
- Bright, f/1.4 aperture.
- Light and compact.
- Dust, splash, and fluorine protection.
- Aperture ring with selectable detents.
Cons
- Pricier than some other options.
Specification
Focal Length | 24mm |
---|---|
Max Aperture | f/1.4 |
Min Aperture | f/16 |
Lens Mount | Sony E |
Lens Format | Full-Frame |
Angle of View | 84° |
Minimum Focus Distance | 9.45" / 24 cm |
Maximum Magnification | 0.17x |
Focus Type | Autofocus |
Image Stabilization | No |
Filter Size | 67 mm (Front) |
Dimensions (ø x L) | 2.97 x 3.64" / 75.4 x 92.4 mm |
Weight | 15.7 oz / 445 g |
Ultra-wide and versatile, the Sony FE 12-24mm f/4 G is a flexible, everyday wide zoom characterized by its nimble design and well-rounded performance that makes it ideal for architectural, interior, and landscape subjects. In addition, as a G Lens, priority has been given to the optical design, which specifically helps to reduce distortion and achieve high sharpness across the frame for accurate rendering and high resolution.
Pros
- Light, compact design.
- Quite sharp.
- Extremely wide field of view.
- Integrated lens hood.
- Focus Hold button.
- Dust- and moisture-resistant construction.
Cons
- Omits filter thread.
- No stabilization.
- Muddy corners at wide apertures.
- Noticeable vignette.
- Distortion throughout range
Specification
Focal Length | 12 to 24mm |
---|---|
Max Aperture | f/4 |
Min Aperture | f/22 |
Lens Mount | Sony E |
Lens Format | Full-Frame |
Angle of View | 122° to 84° |
Minimum Focus Distance | 11.02" / 28 cm |
Maximum Magnification | 0.14x |
Diaphragm Blades | 7, Rounded |
Focus Type | Autofocus |
Image Stabilization | No |
Filter Size | None |
Dimensions (ø x L) | 3.43 x 4.62" / 87 x 117.4 mm |
Length at Maximum Extension | 4.61" / 117 mm |
Weight | 1.24 lb / 565 g |
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Sony FE 16-35mm f/2.8 GM
FE GM
Offering G Master performance in a compact, fast, and versatile form, the Sony FE 16-35mm f/2.8 GM is a wide-angle zoom covering ultra-wide to standard wide-angle fields of view. Ideal for a range of subjects, from landscape to lifestyle to architecture, the lens’s advanced optics and bright f/2.8 design pair with a flexible zoom design to suit working in a variety of shooting conditions.
Pros
- Very sharp
- Lightweight for the focal range
- Rugged and durable
- Versatile focal range
Cons
- Expensive
- No Image Stabilization
Specification
Focal Length | 16 to 35mm |
---|---|
Max Aperture | f/2.8 |
MinAperture | f/22 |
Lens Mount | Sony E |
Lens Format | Full-Frame |
Angle of View | 107° to 63° |
Minimum Focus Distance | 11" / 28 cm |
Maximum Magnification | 0.19x |
Optical Design | 16 Elements in 13 Groups |
Diaphragm Blades | 11, Rounded |
Focus Type | Autofocus |
Image Stabilization | No |
Filter Size | 82 mm (Front) |
Dimensions (ø x L) | 3.5 x 4.8" / 88.5 x 121.6 mm |
Length at Maximum Extension | 5.4" / 136.2 mm |
Weight | 1.5 lb / 680 g |
Positioned as the workhorse lens for APS-C, the Sony E 16-55mm f/2.8 G is a flexible wide-angle to portrait-length zoom featuring a bright constant f/2.8 maximum aperture. Covering a versatile range, this sleek lens is well-positioned for a wide variety of subjects, from landscapes to portraiture, and its portable size makes it a go-to lens for everyday shooting.
Pros
- lightweight/compact design
- image quality
- fast aperture
Cons
- extends with zoom
- some distortion at wide focal lengths
- high price
Specification
Focal Length | 16 to 55mm (35mm Equivalent Focal Length: 24 to 82.5mm) |
---|---|
Max Aperture | f/2.8 |
Min Aperture | f/22 |
Lens Mount | Sony E |
Lens Format Coverage | APS-C |
Angle of View | 83° to 29° |
Minimum Focus Distance | 1.08' / 33 cm |
Maximum Magnification | 0.2x |
Diaphragm Blades | 9, Rounded |
Focus Type | Autofocus |
Image Stabilization | No |
Filter Size | 67 mm (Front) |
Dimensions (ø x L) | 2.87 x 3.94" / 73 x 100 mm |
Length at Maximum Extension | 5.3" / 133.8 mm |
Weight | 1.09 lb / 494 g |
The Sony FE 35mm f/1.8 mixes a versatile wide-angle focal length with a bright design and a sleek form factor. As a wide-angle, this lens excels in a variety of situations, from street shooting to landscapes to travel, and the f/1.8 maximum aperture suits working in available lighting and benefits controlling depth of field.
Pros
- Good wide-open resolution.
- Excellent when stopped down.
- Light, compact build.
- Dust and splash protection.
Cons
- Pricey.
Specification
Focal Length | 35mm |
---|---|
Max Aperture | f/1.8 |
Min Aperture | f/22 |
Lens Mount | Sony E |
Lens Format | Full-Frame |
Angle of View | 63° |
Minimum Focus Distance | 8.7" / 22.1 cm |
Maximum Magnification | 0.24x |
Diaphragm Blades | 9, Rounded |
Focus Type | Autofocus |
Image Stabilization | No |
Filter Size | 55 mm (Front) |
Dimensions (ø x L) | 2.58 x 2.87" / 65.6 x 73 mm |
Weight | 9.9 oz / 281 g |